Zoo-Islander Fashion Show 2019

Generally speaking, the Southern Gulf Islands are full of enterprising creative people, who are always keen to have an excuse to get together and stage uniquely islandish events thought up from quirky impulses that often spin into tradition. (Disclaimer for the other half of the Islanders who live here to hide away in introverted solitude and bliss!)

One such event birthed in 2017- Penders’ Zoo-Islander Fashion show. The original concept was inspired by the treasures of our small isle’s thrift store, the Nu-Tu-Yu, and the notion of abundant creative local fashion that need not come through the chains of factories and pollutant textile industry practices, but by that which exists already within reach of our rural setting. The idea was to invite members of the community to participate either by presenting a whole runway collection of outfits, volunteering to model for a designer, or merely to put together a single outfit and join in with a collective runway. Age, size, shape, material, theme, music, and application was not confined in anyway- and what we witnessed and created was a uproarous fury of chaos, surprise, and wonder, as familiar faces paraded by clothed in plastic bags, braziers, foam sculpture, space suits, leather warrior vests, garlands of salal, glow in the dark boots and gloves, wetsuits, and a wild carousel of wigged cabaret corsets.

The second year I found myself a model on 6 runways, stripping between them from steam punk to fortune teller, bio-luminescence to golden street attitude. The third year I hesitantly decided to attempt to weave a “few” outfits for a runway collection of my own. I ended up fitting 16 of my friends and family into variously constructed experiments of woven creative impulses and choreographing their display to 12 minutes of music scoured over for the perfect thematic fit.

The theme I was working with was Dusk to Dawn. The outfits followed the nightly timeline starting with the sunset, through era, style, and concept, right into the rise of the next morning.

  1. Sunset Gaze… inspired by the colours of sunset and the intention of heading out to watch the shifting play between the sky elements. Along the way this dress took on a bit of a 60’s mod feel.
  2. Boho Poetry- a vest I made a few years ago, but it didn’t fit me very well so I put it aside and didn’t know if it was wearable. I added beads to the long fringe and it turned into a bohemian outfit perfect for your Soho evening cafe poetry reading.
  3. Night Lights On Water… you can interpret that as a harbour in the city or a lake or ocean under the moon… we decided that she was on her way to a jazz club.
  4. Victorian Business- Stepping out of his carriage in his wool overcoat, he tips his hat to his driver as he heads across the cobblestone road to the dimly lit restaurant where he hopes his business partner has secured a table.
  5. Rave. I was interested in bringing in a sense of the big city and all the neon lights and reflective windows, and I ended up with this capelet and leg warmers. Worked fantastically with the black light, too!
  6. Moving from the world of human activity up into the night heavens with this Moon Goddess. Lots of raw silk and shifting hues. She also has a small satellite of her own, so it was a kind of planetary representation as well.
  7. Planetary Satellite, like if the moon had a moon, and maybe somewhere in the galaxy there is a moon with a moon, because really the possibilities are endless.
  8. Staying with the night sky, we had the Aurora Borealis float by in shimmering purples and greens. I made this last year with the aurora in mind, so it was an easy pick for the fashion show!
  9. Naturally at night we go to bed, so I made an outfit that represented a Pillow & Blanket. Often in the winter I will wrap a small wool blanket around myself in the evening, and so I made a small blanket in which to use for this outfit, and I made a little shrug with angora, linen and cotton, attempting to make it a little pillow like.
  10. Cosmic Cloak- I am always inspired by stars, galaxies, nebulas, black holes, and all that beautiful chaos that makes up our universe. Hidden by day, yet always present.
  11. Shifting into the dream realm, we have Rainbow Warrior… basically I wanted to make a kind of dress with rainbow yarn and white yarn meeting in the middle, but it reminded me of a knight’s tunic when I put it together, but it was for Geneva so I thought of Joan of Arc, and then I made rainbow gauntlets to go with it. Classic example of the weaving finding it’s own way with my ideas.
  12. Midnight Mantle- originally inspired by folklore images of a woman pulling a blanket of night across the sky, tucking us in for the night, this cloak took on a mystical and timeless realm. Made from recycled silk and cotton dresses ripped into strips.
  13. Hunter- what can I say, he wanted to wear a cloak and carry a bow. I am grateful that my 13 year old son was so keen on being in my runway. This cloak was the perfect use for a whole bunch of hand spun wool that I made and then tucked away a few years ago.
  14. Early Morning Traveller Walking Through A Misty Birch Forest. I was glad to have some more male representation. Variety is everything.
  15. Early dawn begins with the songs of all the Morning Songbirds… and so I represented chickadees, wrens, towhees, robins, and juncos in a jumble of multi-songbird colours.
  16. New Day ☀️ Because each night finally ends… and sometimes when I wake up there is a moment when the details of the day have not yet come to me, and I grasp the last threads of sleep with an awareness of the new days’ clear beginning. An uncluttered presence. This dress was woven using a white cotton fitted bedsheet torn into strips, with the elastic cut from the edge creating the wrapped belt.

Many of these pieces have been sold, deconstructed and reconstructed, or remain as strange concoctions packed down in the depths of storage. I am super grateful for the Zoo-Islander team who put all the details together so I could, along with a line-up of designers, let my imagination loose upon the residents of Pender Island.

Here is a video clip of my runway from Zoo-Islander 2019.

Weaving for a Collaborative Art Show

The local winery here on Pender Island offers their large tasting room to local artists each weekend of the summer for art shows, and this summer I was invited to add my weaving to a group of four artists- painter (and my mother!) Margaret Alpen, photographers Eve Pollard and Derek Applegarth, and glass jeweller Nancy Westall.  The room at Sea Star Vineyards is open and bright, with lots of wall space and a large, plank style table in the centre.  It was wonderful to have so much room in which to display scarves and ponchos, rather than trying to fit everything in on a market table!  I also really enjoyed seeing my designs blend with the work of the other artists.  The colours of Nancy’s jewelry really matched beautifully, and Eve had a photograph that she took of my and Rosie.  Also my mother’s west coast arbutus trees and forest paintings created a wonderful sense of place.

I was inspired to focus mainly on pieces in which I had incorporated my hand spun angora fibre from my angora rabbit, Rosie.  I have been spinning it in a blend with other fibres, mostly merino and alpaca, and the pure white result is refreshing to weave with.  Having a few display mannequins really helped to show the shape of the ponchos, which were the pieces that sold the best!  This was my first art show, and it was lovely to chat with the folks that came by, and show them my Saori loom which I brought along to set up.

Another nice touch is the Winery’s request for the artists to donate to a local non-profit organization in lieu of rent for the space.

Winter Weaving

saori autumn weaveThis winter, I finally got the chance to try making some warm winter wearables from a few pieces of weavings I have been producing.  Mostly I have been making scarves, but I really wanted to make a more substantial wrap or jacket.  The widest piece I can make on my Saori loom is 42cm (16.5inches), so I made a warp that was the widest possible and the longest possible from my supplies so that I would not run short.

The simplest plans for a poncho seemed to be two strips sewn side by side with an opening in the center for the neck hole.  I had lots of sturdy cotton green warp, and plenty of 100% wool in two shades of blue that came from the local second hand store.  I mixed it up with a multi-coloured merino in blues and greens and yellows, and I occasionally placed a line of light green roving for texture.  Using only these yarns, I experimented with all that can be done with three choices.  It was a new practice for me, especially with such a large piece to fill.  Usually I can’t help adding more and more variety.  Off the loom, I cut the fabric in half and sewed one half of it together down the sides.  I decided to leave the other half open, like a vest poncho.  I may add large buttons on the sides under the arms to keep it more securely closed all around, and who knows, I may decide to sew up the front, too.  I have passed it over to my mother to wear, so it is an open ended project depending on her comfort!

With the second piece, I was looking to make something more with more drape.  I picked up a single, large skein of a fine, almost lace weight merino and wool blend that had long, autumn toned colour changes.  In my buckets, I found two skeins of lace weight alpaca in two shades of green that I hoped would be enough for another wide, long warp.  Without interrupting the weft too much, I added accents and highlights whenever the bobbin and shuttle ran out and there was a slight break in the colour changes.  I had a ball of recycled silk sari yarn, two toned green alpaca, light green roving, blue roving, and some leftover bits of green and orange peace fleece wool from a knitted sweater project.  (Weaving satisfies my need to use up all the little bits of yarn from knitting.  They just can’t be used very easily otherwise!)  I was so happy with the feel and drape that I didn’t want to cut into it at all, and I wanted it to lie flat and simple as a garment  So I folded it once on an angle at the back, letting each side come down straight in the front.  I wove up another section using mostly black linen on the same warp, and added the same accents as in the rest of the piece, and used it across the back, sewing it to the sides and across the back fold of the other piece.  By adding a simple fastener at the front, it can be held together or left open.  For being so light weight, it is so warm!  Thanks to my daughter who took all the modelling photos.  A new role for both of us.

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